Julieta is 17 years old and lives with her mother and her siblings in a small town. Her boyfriend, Gabriel, gets her work with various clients, from truck drivers to government officials. Sofía is a 16-year-old student at a private high school in the capital city. With her best friend, they enter the advertising world and receive a tempting offer. Like threads in a web, Julieta and Sofía converge in a world where everything can be bought and everything can be sold, where certainty is as frail as a second.

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Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

Dancing through Slovak history of the twentieth century. Based on the Theatre du Campagnol performance "Le Bal" by Jean-Claude Penchenat, written by M. Huba and M. Porubjak. A dance locale - a place where people who are looking for partners come together. Lonely individuals become couples, people who were strangers not so long ago become partners and lovers. Outside, conditions change and regimes change, the country is overwhelmed by great history, the whirlwind of the World War, the communist coup, the hopeful spring of 1968, the fraternal occupation, the Hussite normalisation, November 1989 and the collapse of Czechoslovakia. Only those lonely dancers on the dance floor remain the same - with their human longings, their ridiculousness and their unfulfilled dreams.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City

Young Lo (Marianne Bengtsson) lives in a boring small town. Locally she is known as somewhat of a fabulist. One day an airplane crashes just out of town. And the town goes crazy with excitement. Later, while hoping to catch a peak of the crashed plane, Lo sees a mysterious man (Günther Hüttmann) land out in the woods by parachute. She tries to tell the rest of town. But naturally nobody will believe her. Thus she is going to have to learn more about the stranger from the sky by herself in this immeasurably startling mammoth among thrillers!

二十世纪五十年代初期，当年抵抗法西斯侵略的战士裴里康，现在是多瑙河堤岸的守护人。影片开头，他在堤上巡守。土堤上的绿草修剪出“光荣属于伟大的领袖” 字样。这时走来一条狗，在草地上撒尿。裴里康十分惊慌。因为他经常由于做错什么而被关进监狱。他曾由于肉食不足，偷偷杀掉自己养的猪而被投入监狱，后被抵抗运动时的战友保释出狱。他当游泳池的管理人员时，把一个当地党的领导人某将军独占的游泳池，改为向一般市民开放的公共游泳池，那位将军在开放那天到场一看，当场晕倒在地。他当上某公园的负责人时，把“幽灵庄园”改造成为“社会主义幽灵庄园”。进入庄园，首先映人眼帘的是马克思的画像，接着是—张在世界地图上边有幽灵袭来的图画，图画的题词是马克思《共产党宣言》开头的名言“一个幽灵，共产主义的幽灵，在欧洲徘徊。”接着，两个衣衫褴褛的人突然出现，双手带着锁链，象征着他们“失去的只是锁链”那句话。后来，裴里康被迫充当揭发检举伙伴是间谍的证人，他被要求用心练习“证词”。这个正直的人，在法庭上不背 “证词”而说了真话，因而被判处死刑。在执刑的当天，由于政治形势的变化，裴里康又—次接到获释通知。

Paula & Azul. A funeral, a family secret and a road trip that will change their lives forever.

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